Burning the Bodies and Faking Drownings
The Ballad of the Last DragonBurning the Bodies and Faking Drownings is a concealment action in which Neith and Cadoc dispose of three dead men by burning their bodies and stage a plausible drowning at the lake. The measure does not erase the danger created by the deaths: it converts a visible murder scene into a disappearance whose apparent explanation may protect Sylvaine Abelan and the newcomers, while leaving them vulnerable to suspicion if the deception fails.
Circumstances and Threat
The operation follows the deaths of three men belonging to a hostile group after newcomers arrive in town. Their disappearance is inherently suspicious, and the risk is not limited to ordinary investigation. Neith explains that the bodies had to be destroyed because leaving them could lure Corpse-eaters; once those creatures find food, they are difficult to drive away. The disposal therefore answers two threats at once: human suspicion and a dangerous supernatural or monstrous infestation.
The Disposal
Neith tells Sylvaine Abelan that she and Cadoc burned the corpses the previous night. Her blunt reassurance that there is nothing left to find presents the act as finished and controlled, even though the circumstances remain perilous. The scene also gives the violence a strikingly intimate aftermath: Neith places a hand on Sylvaine Abelan’s shoulder and squeezes it, an unusual gesture of affection that links the grim practical decision to her determination to protect her companion.
The Drowning Deception
Burning the bodies removes the most direct physical evidence, but the men still disappeared, and people will know that something happened to them. Neith and Cadoc therefore leave the dead men’s shoes and valuables beside the lake, encouraging the assumption that the drunken men drowned. The discarded belongings function as a substitute body: they supply the material signs expected by onlookers while withholding the remains that could expose the truth.
Consequences and Significance
The deception offers the newcomers a plausible explanation, but it cannot make suspicion disappear. Sylvaine Abelan already fears that blame will fall on her first and that the deaths will be used to portray elves as monsters from ancient tales. Neith’s assurance that the deaths will not be traced back to her thus carries both emotional and political weight. The action protects her from immediate exposure while revealing how anti-elf prejudice makes even self-defense dangerous: the group must hide not only the bodies, but also the circumstances that could be weaponized against an elf.
The episode also marks a change in Sylvaine Abelan’s understanding of Neith and Cadoc. What initially shocks her is not only the casual mention of Corpse-eaters, but the extent of their care for her. Their fast thinking produces a proper method of disposal and a credible cause of death, yet the scene refuses to make that competence morally or emotionally simple. Survival requires burning the dead, manipulating public interpretation, and accepting that the missing men will be mourned or explained through a lie. The resulting value shift is from immediate exposure and danger toward temporary safety, purchased through concealment and the group’s shared willingness to bear its consequences.
